Bleak House
is a significant and enjoyable book that, in many ways, is the quintessence of
what a Charles Dickens novel is all about. This is the story of Esther
Summerson, a young girl who is apparently orphaned. Esther is initially raised
by an emotionally abusive aunt. Later, the benevolent John Jarndyce takes her
in. Esther establishes close bonds with Jarndyce’s younger cousins, Ada Clare and Richard Carstone. She also encounters a host of additional
characters and becomes enmeshed in their worlds.
As the narrative progresses, it becomes apparent that Esther’s mother is
still alive. She is the aristocratic, haughty, guilt ridden and depressed Lady
Dedlock. This complex character steals
the show, as the secrets of her mysterious past and her inner demons occupy
much of the narrative. As Lady Dedlock’s early life begins to catch up with
her, she becomes the victim of the prying and malicious lawyer, Mr.
Tulkinghorn. Numerous additional developments ensue, including Esther’s permanent
scaring as a result of smallpox.
In one of my favorite passages in the book, Dickens describes the history
of the matter,
“Jarndyce
and Jarndyce drones on. This scarecrow of a suit has, in course of time, become
so complicated that no man alive knows what it means. The parties to it
understand it least, but it has been observed that no two Chancery lawyers can
talk about it for five minutes without coming to a total disagreement as to all
the premises. Innumerable children have
been born into the cause; innumerable young people have married into it;
innumerable old people have died out of it. Scores of persons have deliriously
found themselves made parties in Jarndyce and Jarndyce without knowing how or
why; whole families have inherited legendary hatreds with the suit. The little
plaintiff or defendant who was promised a new rocking-horse when Jarndyce and
Jarndyce should be settled has grown up, possessed himself of a real horse, and
trotted away into the other world. Fair wards of court have faded into mothers
and grandmothers; a long procession of Chancellors has come in and gone out;
the legion of bills in the suit have been transformed into mere bills of
mortality; there are not three Jarndyces left upon the earth perhaps since old
Tom Jarndyce in despair blew his brains out at a coffee-house in Chancery Lane;
but Jarndyce and Jarndyce still drags its dreary length before the court,
perennially hopeless.”
There is a lot more plot here. Multiple parallel and interrelated stories,
themes and legions of characters abound.
Like the aforementioned case, this book is too extensive and complex to
summarize or analyze its themes in a single blog post. Suffice to say, it is in
many ways typical Dickens.
I will be posting one or more additional entries focused upon some points
of the book that I find particularly interesting. This novel truly encapsulates
both what is great about Dickens as well as his flaws. If one is prepared and
desirous to step into the intertwined, fanciful, philosophical and complex
world that Dickens weaves, this is a great place to begin or continue the
journey.
Some Thoughts About Esther
Esther is an interesting character indeed. She puts the welfare of others
first, and endures hardship for the benefit of those around her. The point of
view of the novel alternates between the first person narratives of Esther
herself and the perspectives of a cynical but compassionate third person voice.
When describing herself she is constantly and persistently putting herself
down. She questions whether she deserves the love of others. As a result, she harps upon the fact that her
purpose in life is to make others happy.
At one point she comments upon a declaration of love by a suitor,
"it is a great thing to win love, it is
a great thing to win love! I am proud of it, and honoured by it; and the
hearing of it causes me to shed these tears of mingled joy and sorrow— joy that
I have won it, sorrow that I have not deserved it better; “
After her disfigurement, she observes to herself,
"And so Esther, my dear, you are happy
for life. Happy with your best friends, happy in your old home, happy in the
power of doing a great deal of good, and happy in the undeserved love of the
best of men."
These are just a few examples. I think that Esther’s self-deprecation can
be attributed to her upbringing, in which her aunt constantly diminished her
worth.
However, there may be something else going on here. When speaking in her
own inner voice, Esther is a bit too focused on how selfless she is. There is
so much insistent modesty that one gets the impression that Esther does not
really believe it all. This gives her a hint of inner self-righteousness,
perhaps self-deception, that she never shows to the world.
Without a doubt, Esther is an extremely virtuous and selfless person. In no
way is Dickens portraying her as spiteful or pernicious. However, if I am
correct, she is just exhibiting a little imperfection, perhaps human weakness,
in her thoughts.
I have read no criticism or analyses of Esther’s character thus far (This was true when I wrote this). I may
be mistaken about my impressions. It may be that I am seeing complexity that is
not really there. Either way, Esther is a marvelous character.
Since I wrote the above I have read some
criticism and commentary on this work. It seems that there are many interpenetrations
upon Esther’s character. I am taking a stab at my own take on one aspect of her
persona here. I ask my readers to indulge me and look upon the above as an
impression; perhaps something of an educated guess, at what Dickens was trying
to get at.



