The novel Authority
by Jeff VanderMeer is the second book of the Southern Reach Trilogy. My
commentary on the first of the series, Annihilation, is here.
Though in many ways less compelling than the first
novel in the series, this is a very creative book that takes all sorts of
chances as it goes into unexpected directions. Where Annihilation was an atmospheric mix of science fiction and
psychological horror, this book takes off in a completely different direction,
as it is essentially a quirky science fiction based character study with
healthy doses of humor in terms of tone and style.
Area X is a large swath of land that is mysteriously
isolated by an invisible barrier, where bizarre, terrifying and deadly events
take place. This story takes place almost entirely outside of this area and concerns
itself with the government organization, called Southern Reach, tasked with
investigating the strange phenomena. The main character is the new director of
Southern Reach, a man nicknamed “Control.” As Control digs into the very
bizarre phenomena of Area X, he discovers that the psychological effects that
plague visitors to the area are beginning to affect Southern Reach personnel. As
the story develops, the borders of Area X begin to expand and envelope Southern
Reach headquarters.
Taking place shortly after the events of the first
book, much of the narrative concerns itself with the interactions between
Control and a duplicate of The Biologist, the main character from the first
book. Somehow, a copy of the Biologist has been produced and has returned from
Area X. The copied women is now known as "Ghost Bird”.
Control finds that he is very drawn to Ghost Bird’s fascinating
character and background. VanderMeer is a very different writer who breaks
rules. His uniqueness as an author is illustrated as he portrays this attraction
in a nonromantic and nonsexual way. Thus avoiding an obvious cliché and
forgoing a path that most others writers would have taken.
Another testament to VanderMeer’s quality as a writer is
that, for one chapter and in a few other segments, the narrative veers in to the
atmospheric psychological, science fiction and horror mix that characterized
the previous book. He then elegantly transitions back out of this style.
Control is one of the more interesting and well-crafted
characters that I have encountered in literature. On the surface, he is a new
high-powered leader of a super serious and secret organization. His background
is in dealing with terrorists and other national security threats, but when his
inner self is revealed, he is shown to be a man wracked with insecurities and
self-doubt. He also has a wry and ironic sense of humor. His relationship with
his mother, also a government operative, as well as that with his deceased father,
is examined in detail over the course of the narrative.
His portrayal is unique; at one point during a highly
stressful meeting, Control imagines that he would like to be relaxing at home
with his cat,
"A vision of
his couch in his new home, of Chorry curled up on his lap, of music playing, of
a book in hand. A better place than here."
Annihilation
left a long series of unanswered questions
and strange mysteries as to the nature of Area X and the operation of Southern
Reach. Slowly, through the course of the narrative, some, but not all, of these
blanks are filled in.
The themes of the first novel, climate change, the
tendency for people to construct faulty thought paradigms and the
inscrutability of reality are present here and are further developed. On the
issues of faulty belief systems that people cling to and of their resulting
harm, Control ponders one aspect of this that manifests itself in our modern
world,
"Because more and more in the modern Internet
era you came across isolated instances of a mind virus or worm: brains that
self-washed, bathed in received ideologies that came down from on high,
ideologies that could remain dormant or hidden for years, silent as death until
they struck."
This book goes off in a completely different from the
first in in the series terms of style, and it is still be successful as a
testament to VanderMeer’s creativity and skill as a writer. Though a science fiction character study with
strains of satire leaves us with a book that is a little less of a page-turner
than the atmospheric psychological horror of the first novel, this book is a
worthy piece of writing in its own right.
This novel does not work as standalone work, as it
presupposes that the reader is familiar with the events of Annihilation. As an artistic
and unique example of speculative fiction that is part of a larger whole, it is
a very worthwhile sequel. I will be moving ahead to read the third and final
book in the trilogy, Acceptance,
right away.