Fictional Matriarchies

In the course of reading and choosing what books to read, sometimes one book leads to another. Sometimes I read a series of books on the same topic. This often happens with non – fiction, but it can happen with fiction. A recent reread of Pamela Sargent’s The Shore of Women led to several people recommending Sheri S. Tepper’s The Gate to Women's Country as a similarly themed story. As I found Sargent’s speculations on gender to be particularly interesting, I read Tepper’s work a few weeks later. Having found the theme of both books interesting, I was reminded of having heard about an earlier work called Herland by Charlotte Perkins Gilman. This book seemed like an important precursor to later books depicting fictional matriarchies. Thus, I also read Gillman’s novel.

I think it is relevant to note a few of my observations about supposed read life matriarchies. A Google search indicates that there are several definitions of the term matriarchy. For the purpose of this post I will define the concept as a society where women have significantly more political, social, and economic power then do men.

From time to time there appear claims that some real life matriarchy exists or existed in an obscure area of the world. There are also claims that all of human society was once matriarchal. Though a detailed discussion of this issue is beyond the scope of this post, everything that I have ever read from credible sources indicates that no true matriarchy exists, or has ever existed. I should note that there are indeed matrilineal societies. A matrilineal society is a system where ancestral descent, names, inheritances, linages, etc., are traced through mothers instead of fathers. Often folks identify these societies as matriarchies. Based upon the definition that I am using here, they are not matriarchies. A good piece by social anthropologist Liza Debevec explaining the difference is here.

As for the fictional matriarchies, I think that an exercise comparing and contrasting the three works mentioned above will be fruitful. All three authors described societies that easily fit within the definition of matriarchal. It also seems that these books share a common influence. The newer novels seem to have been influenced by Herland. As I observed in my commentary on The Gate to Women's Country, it seems possible that Tepper read and was influenced by Sargent’s book.

One commonality between these books is that all three authors see the differences in men and women to be a combination of biology and culture. This is in contrast to the many folks today who insist that gender differences are entirely cultural. If one were to accept that gender is entirely a cultural construct, a matriarchy in some instances would be a mirror image of a patriarchy. Stories depicting simple role reversals between genders exist, but they seem dull and in my opinion are not an accurate refection of reality.

All three authors suppose that one of the biggest differences between large groups of men and women is the level of violence between the groups. I think that all three authors are correct here. Large groups of men are on average, more violent then large groups of women. I think that there is clear evidence that there are biological differences that account for this. It seems that these authors agree. With that, history and current events show that culture also has a great effect on how violent people will be. This also seems to be factored into all these works.

One cannot draw conclusions or make assumptions about individuals based on these averages. I think that Sargeant gets it right for women, despite the differences inherent in large groups, some of the women in her world are violent. This is reflective of reality. Tepper depicts a world where some men are violent some are not. Again this is true of real life. Gilman on the other hand depicts an all - women society that is one hundred percent non - violent. I think that this is unrealistic.

There are also important differences in the way that the authors foresaw their respective societies. Tepper’s society is the most interesting and I would argue the most realistic. In her world, some men live with the women of the cities. That is in itself is more plausible then total gender segregation.

Both Sargeant and Gillman depicted societies where the genders are completely segregated. Gillman and Tepper created societies that were better off due to a preponderance of power vested in women. In fact, Gillman’s Herland was a utopia. Gillman clearly laid - out and believed that a better and egalitarian society would come about but only if men learned from women. Sargeant’s society was depicted as being harmful to both women and men due to gender segregation and the power imbalance.

Tepper seemed to be saying that a better society based on egalitarianism was impossible due to a percentage of men who were genetically disposed to be violent. Her solution was selective breeding that would lead to a world where men were less violent. Sargeant’s message was that an egalitarian society based on gender equality would be the most beneficial.

I would be remiss if I did not mention another fictional matriarchal organization, perhaps better described as a society.  This fictional creation was Frank Herbert’s  Bene Gesserit sisterhood found in his Dune books. The Bene Gesserit are an ancient society of women who have mastered great intellectual, psychic and physical powers. Herbert’s fictional group differs from the above depictions in that the Bene Gesserit could never include all women. It was a group of elites. Early in the Dune books the sisterhood was depicted as mix of good and bad, but as more unsympathetic then sympathetic. However, as the series progressed, it seemed that Herbert’s affection for his own creation grew. Several books late in the series centered on the Bene Gesserit and the stories were populated with sympathetic women who were its leaders and members. It is significant that unlike most other groups in Herbert’s Universe, the Bene Gesserit were attempting, at least on some level, to safeguard humanity’s future. Most of the other groups that Herbert created, were interested only in their own power. With that, Herbert’s sisterhood practiced violence. However, they did so more judiciously then other groups in his Universe.

It is unsurprising that there were similarities and differences between all of the above visions. I think that it would be difficult to find one hundred percent agreement between any two people on these issues. With that, I think that the similarities between these authors’ creations are reflective of reality that gender differences are a combination of nature verses nurture and that the propensity for violence is one of the biggest differences between large groups of men and women.

Exploring gender issues is common in fiction. Many non - science  - fiction writers, from Jane Austen to Chinua Achebe as well as many others have done so.  However, through the medium of science fiction and fantasy, authors can explore territory that more conventional writers cannot. I found that reading all of the above books to be interesting, insightful and entertaining.  

My commentary on The Shore of Women by Pamela Sargent is here.

My commentary on The Gate to Women's Country by Sheri S. Tepper is here.

My commentary on Herland by Charlotte Perkins Gilman is here.

The Gate to Women's Country by Sheri S. Tepper

This post contains spoilers.

The Gate to Women's Country by Sheri S. Tepper is science fiction story that takes place hundreds of years after the collapse of modern civilization due to a catastrophic event known as “The Convulsion.” The book delves deeply into the issues of gender and violence. As is typical with any fictional exploration on gender, this novel still prompts a lot of Internet discussion despite being first published in 1988. 

Tepper has created a fictional society where the genders are separated. In the cities, which are ecologically self - sustaining but relatively low technology, the majority of the population is comprised of women. All the political and social power is, at least on the surface, in control of women. At the age of five boys are sent outside of the city walls. There, an all male, warrior culture exists. At periodic times during the year there is a “Carnival” where the warriors mingle with the women of the city. During this time sexual encounters are frequent. Thus people supposedly procreate.

At the age of fifteen the boys are given a choice: remain outside the city walls, and engage in the occasional brutal wars between the “garrisons” that surround each city, or reenter the city and live their lives as a “servitor”. The servitors live lives of relative comfort and are seemingly well treated, but are second - class citizens. It is a testament to the nuance of Tepper’s skills in crafting this fictional society that the servitors’ relationship to the women of the cities is complex and nuanced. These men are often, but not always, shown respect and are sometimes treated as equals within family units. It is eventually revealed that some servitors wield power behind scenes and have a great stake in preserving the cities of Women’s Country. It is also revealed that the leadership of Women’s Country are engaged in a selective breeding plan aimed at making future generations of men less prone to violence. 

There are other groups that live outside the city walls that follow more egalitarian gender and traditional family roles. Characters who are members of this group provide an important perspective on the cultures of the male garrisons as well as Women’s Country.

The main character in the book is Stavia, a citizen of the city of Marthatown. Stavia is interesting and nuanced. She is a strong and intelligent but also capable of showing weakness. The narrative spans a large percentage of her life from the time she is twelve years old through her late thirties. Other characters include members of Stavia’s family, as well as Joshoa, a servitor who has impressive physical and psychic powers. 

Chernon is a young warrior who is Stavia’s love interest.  Over time he shows himself to be malevolent and vicious. Like several women in the book, Stevia is attracted to a man despite knowing that such attraction is not in her self - interest. This plot development ties into the novel’s themes. 

The story comes to a climax when Stavia and Chernon strike off on a exploration of uncharted lands. They are captured by a group of religious fanatics who treat women as property. This plot development allows Tepper to explore even more angles relating to gender.

The novel has much to say about gender and violence. Throughout the cities of Women’s Country a play called Iphigenia is immensely popular. This work is a modified version of Euripides’s The Trojan Woman. Large parts of the play’s dialogue are included in the text. Iphigenia ties into the novel’s themes in several ways. One of the main messages conveyed in the performance is that violence and war perpetuated by men has devastating consequences for women, children, and for society in general. The play is indictment of violence that is mostly perpetuated by men. 

Tepper’s fictional society has found a way to channel violence. The women of the cities, the warriors of the garrisons and the servitors all live by a strict code of laws. The garrisons only war among themselves. Combat is ritualized, takes place as the garrisons face each other in fields, and cannot involve any weapons that have ranges beyond a couple of feet. Only soldiers die or suffer. The remainder of society is not affected in any way. No man is forced to be soldier, as they can choose to be servitors instead. 

At one point Stevia’s mother, explains the arrangement to Stevia, 

“War is dreadful, daughter. It always has been. Comfort yourself with the knowledge that in preconvulsion times it was worse! More died, and most of them were women, children, and old people. Also, wars were allowed to create devastations. Under our ordinances, no children are slain.  No women are slain. Only men who choose to be warriors go to battle. There is no devastation.”  

Tepper is pointing out that a percentage of men are violent. She seems to view this kind of men as irredeemable. The men of the garrisons are in the end, all depicted as untrustworthy and prone to dominate and harm others. The breeding program is indication that Tepper believes that a propensity for violence is genetic. Of course the factors that drive violence or complicated, but I agree that there is strong genetic component.

In the book, some men, as represented by the servitors, though capable of violence for self - defense and to protect others, are mostly peaceful, ethical and moral. This also seems to be reflective of the author’s view of men. 

In the story it is emphasized that some women, maybe most, are often attracted to destructive and dangerous men. This happens despite the fact that on an intellectual level they know it is not wise to do so. This is a stereotype that we often hear in popular culture. It is common to hear people say that that many women are attracted to dangerous and abusive men. I would like to see data and studies, if this is possible, to determine if there is a propensity for women to do this. My own, extremely biased observations about people, is that a percentage of both woman and men are attracted to destructive people. I have not noticed a difference between genders. 

Tepper’s ethical characters end up in terrible dilemma. In order to stop the garrisons from overrunning the cities and enslaving women, from time to time the cities’ leadership, consisting a small number of women and servitors working behind the scenes, manipulate and goad the garrisons into wars that lead to mass slaughters of men. The moral quandary that this raises is expressed at several points in the text.

Tepper offers no easy solution to this dilemma. Though the root of the conundrum is violent men, no one in the know has clean hands. 

In some ways this book is a cry of despair in response to human violence. At one point both Stavia and Joshoa are brought to tears over it. Tepper seems see as the best the solution a matriarchal society that treats non - violent men benevolently. Longer term, in order to eliminate violence in the world, she has created a fantastical breeding program. 

My take is that it is easy to become negative about violence in the world. Unimaginable brutality happens. Often non - combatants trapped in proximity to such brutality suffer immeasurably. History and current events show that a small percentage of men are responsible for this violence.  Despite these horrors, there are things that reduce violence short of playing with human genetics. I once again I point readers to Steven Pinker’s The Better Angels of Our Nature for practical, evidence based solutions. 

I have also recently read Pamela Sargent’s The Shore of Women. My commentary on that book is here. Tepper’s novel was published two years after Sargent’s. There are obvious similarities between the two stories. Both center on matriarchal societies that segregate men and women. Both involve a violent male society living outside the cities. They even both include a plot development that involves the main characters visiting a small misogynist group plagued by inbreeding. One has to wonder if Tepper read the Shore of Women before writing this. However, there are a lot of differences between the works, particularly in the philosophy conveyed. This novel has a lot of unique things to say about gender and violence that are different from Sargent’s views.  This book was more intellectual and focused more on themes and symbolism then did Shore of Women. Sargent’s book was more action driven. I like Tepper’s prose better then Sergent’s. Sergent's prose is flatter.  

If I am reading Tepper correctly, I think she is actually advocating for a matriarchal system in order to stem violence. In contrast, Sargent’s philosophy seems egalitarian and advocates for equality. 

This book has some flaws. The male characters fit too neatly into categories. The men who choose to stay in the garrisons are depicted as hopelessly violent and untrustworthy. In contrast the servitors are portrayed as almost saint - like. As stated above, this book is also a little too derivative of Pamela Sargeant’s novel.

Despite its flaws this work is a fascinating foray into the issues of gender and violence. As I noted in regards to Sargent’s book, one does not need to agree with all or most of Tepper’s philosophy and world - view in order to enjoy these ruminations. Stavia is also a very interesting, nuanced character. The world that Tepper has created here is also fascinating and well thought out.

I would recommend this book to anyone interested in fanciful explorations of gender or violence. It makes an interesting comparison to Sargent’s work. It also will appeal to readers who are interested in fictional societies and cultures. Certain readers will find this book very enjoyable and very thought provoking.