
Fanny is atypical for an Austen heroine. She is
exceedingly shy and unassuming. The word humble may be an understatement to
describe her. Other characters sometimes bully, underappreciate and emotionally
neglect her.
Early on, it becomes apparent that many of the
Bertrams and their friends are narcissistic, unintellectual or seriously flawed
in some major way. One exception is Fanny’s cousin, Edmund. It becomes clear
that Fanny and he have an affinity for one another, though Edmund does not
initially recognize the romantic aspects of it. Complicating matters is Edmund’s
attraction for the sometimes kind but opportunistic, cynical and shallow Mary
Crawford. Mary’s brother, Henry, though in many ways, narcissistic and
manipulative himself, eventually becomes genuinely enamored with Fanny.
I have previously read Sense and Sensibility, Pride
and Prejudice, Emma and Persuasion. I found this novel to be
funnier than the Austen works that I have read. I also found many of the
characters to be darker and less ethical. To be sure, all of the Austen books
that I have read contain immoral characters who conduct themselves in
questionable ways. However, this book contains a core of characters who
consistently engage in extremely selfish, petty and narcissistic behavior. This
includes Fanny’s cousins, Julia, Maria and Tom, as well as her Aunt Norris.
So much has been written about this book and about
Fanny in particular. A Google search will show that for well over a century,
professional critics as well as amateurs have produced a steady stream of
essays, articles and books dedicated to this novel. One could spend years just reading
books that analyze and dissect this work. Opinions vary on Fanny. Some see her
as a paragon of virtue, and others see her a stiff and stifling person. Critic
Nina Auerbach famously compared her to
Marry Shelly’s monster of Frankenstein
fame. Since so much has already been
written, I will, as I often do, just share some thoughts on one particular
aspect of this book.
I think that it is clear that Austen intended to
make Fanny sympathetic but also complex and flawed. The book’s heroine is, at
times, inwardly judgmental in an unpleasant way. However, she is mostly sympathetic,
but in an unusual way. There is a lot to her character. As noted above, Fanny is abnormally shy and
unassuming. So much so that she is often browbeaten by the other characters. In
particular, Mrs. Norris continually subjects her to criticism that comes close
to being verbally abusive. On the other hand, her uncle, Sir Thomas Bertram,
though a stern man, usually shows Fanny particular kindness. This changes when
Fanny refuses Crawford’s marriage proposal.
Bertram is vehement in his desire that the match go forward. He launches
a tirade on the subject aimed at Fanny,
“”But you have
now shewn me that you can be wilful and perverse; that you can and will decide
for yourself, without any consideration or deference for those who have surely
some right to guide you, without even asking their advice. You have shewn
yourself very, very different from anything that I had imagined. The advantage
or disadvantage of your family, of your parents, your brothers and sisters,
never seems to have had a moment’s share in your thoughts on this occasion. How
they might be benefited, how they must rejoice in such an establishment for you,
is nothing to you. You think only of yourself, and because you do not feel for
Mr. Crawford exactly what a young heated fancy imagines to be necessary for
happiness, you resolve to refuse him at once, without wishing even for a little
time consider of it, a little more time for cool consideration, and for really
examining your own inclinations; and are, in a wild fit of folly, throwing away
from you such an opportunity of being settled in life, eligibly, honourably,
nobly settled, as will, probably, never occur to you again. Here is a young man
of sense, of character, of temper, of manners, and of fortune, exceedingly
attached to you, and seeking your hand in the most handsome and disinterested
way; and let me tell you, Fanny, that you may live eighteen years longer in the
world without being addressed by a man of half Mr. Crawford’s estate, or a
tenth part of his merits…You do not owe me the duty of a child. But, Fanny, if
your heart can acquit you of ingratitude””
The above is tyrannical, petty and unfair. The “wild fit of folly” as well as the
references to selfishness are particularly unjust given Fanny’s calm temperament,
seriousness and selflessness. Yet the best that Fanny can do here is to shrink
back, cry and do nothing to defend herself. This is consistent with her
behavior throughout the narrative.
However, there is another aspect to Fanny’s
character. Despite this timidity, she is unwavering when applying her
principles. Despite her shrinking in response to the above diatribe, she never
once considers giving in and accepting Crawford’s proposal. She maintains this
stance despite enormous pressure from her family, friends and Crawford himself.
She does not love the man and has serious questions about his integrity. She
not only refuses to give in, but she never even considers accepting his
proposal. Fanny is not even tempted.
Fanny shows a similar combination of timidity and
unyielding backbone when she refuses to act in a play being put on by her
family and friends that she has moral objections to. What adds to the
complexity of the book is that at times, as in the case of the play, these moral
objections may seem questionable. There is a lot going on with Fanny. This
seems to be the source of some readers’ dislike of this book and her character.
Austen has fashioned in Fanny a young woman who
is often meek, but who is capable of putting up wall of granite when her morals
are challenged. Hence, the paradox that I refer to above. This is only one of
several angles that makes Fanny fascinating and multidimensional. In order to
explore them all, I would need several blog posts.
The above is also only one of many aspects that
also makes this book appealing. The novel has other complex and fascinating
characters. The story is interesting. There is a lot going on thematically. As
always, Austen’s prose is brilliant and witty. The book is also very funny in a
cynical and biting way. Despite varying
opinion among critics and general readers, I thought that this was another complex
masterpiece by Austen.